Overview
For a full overview of how these patches in the plugin are organized in 4 different instruments please download the overview of the full or lite version.
You will find there the number of velocity layers and Round Robin samples indicated. Please follow all numbers hereabove.
Herebelow the patches of the full version.
DIFFERENT TONE COLOURS
normal sound, no open strings (except E,A)
first position - without nail - no vibrato (might be used as: 'Panormo guitar' sound)
first position - with nail - no vibrato
dolce (tasto/near fretboard)
metallico (ponticello/near bridge)
espressivo
molto espressivo
special flamenco thumb sound (with special 'tick' in attack sound)
ARTICULATIONS
detaché (longer staccato)
staccatissimo/picado (very short)
slurs up: hammering
slurs down: pulling
slurs down to open strings
PORTAMENTO/GLISSANDO
Two versions:
1. easy espressivo & easy molto espressivo to target note
2. only the sound of the isolated glissando
all patches allow polyphonic playing (for use in gliding thirds etc.)
gliss. up 2 on nylon strings
gliss. up 3-4 on nylon strings
gliss. up 7-8 on nylon strings
gliss. up 2 on bass strings
gliss. up 3-4 on bass strings
gliss. up 7-8 on bass strings
gliss. down 4-5 on nylon strings
OTHER EXPRESSION TOOLS
slides upwards (fast glissando with attack first, pitched on target note, mainly used in pop, jazz, flamenco, bossa)
vertical vibrato (mainly used in pop, jazz, flamenco, bossa)
bending (up down) fast
bending (up down) slow
OPEN STRINGS
open strings (normal sound)
open strings dolce (tasto/near fretboard)
open strings metallico (ponticello/near bridge)
all 6 open strings simultaneously, different kind of sounds
all 6 open strings simultaneously: harmonics XII VII V IX
6=D open (normal-tasto-metallico) & harmonics XII VII V
6=Eb open (normal-tasto-metallico) & harmonics XII VII V
6=F open (normal-tasto-metallico) & harmonics XII VII V
5=G open (normal-tasto-metallico) & harmonics XII VII V
5=Ab open (normal-tasto-metallico) & harmonics XII VII V
detuning down 6 & 5, open & harmonics
HARMONICS
harmonics natural XII
harmonics natural VII
harmonics natural V
harmonics natural IX
harmonics natural VI
harmonics natural XII VII V no doubles
harmonics artificial full range
harmonics artificial XII
harmonics artificial XIX
harmonics ad lib on bass strings right of soundhole
FX (click here for a full overview)
crossed strings IX X XI XII
crossed strings IX X XI XII looped
soft tremolando on e & b; only e string, looped
soft tremolando on e & b; minor 3, looped
soft tremolando on e & b; major 3, looped
tambora
tambora with nail on e-string
string noise / different squeezes (position changes)
CONTACT SOUND FINGERS RIGHT HAND
sound of putting fingers RH back on strings
STROKES
sound of a stroke on one string (to produce whatever chord you want) down-up
minor 3 on be (stroke with one fingernail) down-up
major 3 on be down-up
perfect fourth on be down-up
E chord on gbe down-up
Em chord on gbe down-up
C chord on gbe down-up
on 1 string, full range
A chord on gbe down-up
Am chord on gbe down-up
SPECIAL FLAMENCO TECHNIQUES
rasgueado on gbe: Am
rasgueado on gbe: A
rasgueado on dgbe: E
rasgueado on dgbe: Em
rasgueado on dgbe: E7
OTHER TECHNIQUES WORLD/FOLK MUSIC*
chasquido: chord damped quickly after attack: major
chasquido: chord damped quickly after attack: minor
chasquido: chord damped quickly after attack: seventh
(* Frequently used in South American pieces)

